_Reeperbahn Festival 18. - 21. Sept. 2019

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14/11/2018
German Version
WUNDERKINDERArtistsInterview

5 minutes – 5 questions: Bayuk

Asking the questions: Anne Kleinfeld

S

o many bands, so little time! In the thick of the festival bustle we meet young talents for a high-speed interview. Bayuk was supposed to be grabbing a quick bite to eat in the Prinzenbar before his gig. Instead, he’s talked all through the last few minutes – about pop in disguise, cool Scots and a childlike creative urge.

Hi! Please say something about yourself.

My name is Magnus, I’m 26 years old, live in Berlin and my project is called Bayuk. I grew up in Tübingen, studied literature, art and media in Constance and moved to Berlin after my Master’s. I’ve just brought out my debut album – without a major label at my back, but with the support of Initiative Musik, for example. Right now I’m making so much music in different constellations that I don’t really have time for a second job any more.

What kind of music?

Someone recently said that my music sounds a bit like The Mars Volta – I thought that was cool, because it’s actually more melancholy and quiet. I always say it’s pop in disguise. In other words, pop that has been alienated and taken off track by production. As a result, the whole sound goes into different dimensions and stays interesting. The motivation has always been there: as a child I always liked better to improvise on the piano rather than learn the pieces I had to practise. I shocked my cello teacher at the age of twelve when I said I wanted to write an opera. He was nice enough not to mock.

As a child, what musicians’ star-crop used to hang in your room?

In my teenage years, definitely artists that I thought it was cool to think were cool. The Black Eyed Peas, for example. But also people like At The Drive-In. I listened to a lot of indie music as a youngster, for example Interpol, Bloc Party and post-rock as well, such as Mogwai. Biffy Clyro, Red Hot Chili Peppers, Radiohead – they were the bands that accompanied me on my way.

Who would it be today?

I was always a huge fan of Biffy Clyro, still am today – even though they make totally different music from me. Because they’re just such nice, cool, Scottish guys. Who make such intelligent music, even though nowadays it’s a bit more pop. But it still totally moves me.

What does it mean for you to be a Wunderkind?

It’s definitely a fantastic opportunity to play here in front of people who may book me. Now, right before the show, I’m not really thinking about it too much, but I was just mega thrilled. Because I knew this here was the best showcase festival in Germany and this Wunderkinder part was a super cool affair. I’ve never done anything in this form before, so the whole thing is just super exciting for me.

Here come the Wunderkinder! They’re fresh, they’re hot and they have what it takes to conquer the ears of the world with handmade music from Germany: this year’s ten participants in the export programme “Wunderkinder - German Music Talent”. The promising artists not only play at Europe’s largest club festival, but also get the chance to network with especially selected international talent scouts on the spot. Additional start-up assistance in the competitive global market is provided by overseas appearances e.g. at the Reeperbahn Festival editions in Los Angeles, Austin and New York. In time for their breakthrough, we grabbed a few “Wunderkinder” acts for an introductory round. Next one in line is: A Tale Of Golden Keys – stay tuned. 😊
Photos: Roeler
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